"When dawn spreads its paintbrush on the plain, spilling purple... ," Sons of the Pioneers theme for TV show "Wagon Train." Dawn on the mythic Santa Fe Trail, New Mexico, looking toward Raton from Cimarron. -- Clarkphoto. A curmudgeon artist's musings melding metaphors and journalism, for readers in more than 150 countries.

Friday, April 16, 2010

No weak coffee allowed

Sign hanging in the utility room of Dr. and Mrs. Todd Bell, my daughter and husband's house, in Amarillo. Todd is a major coffee drinker, which is just one more reason he's the worlds best son-in-law.


      “Don’t knock our coffee. You may be old and weak yourself some day.”
That printed sign hung on the wall behind the counter of the All Nite Café in Comanche, Oklahoma.
       Long before statehood, Rock Island changed trains crews there, and kept the café on Main Street in business. It was owned by ancestors of mine, who first moved to “The Nation” (Indian Nation) from Texas.
      My grandfather, Erle Thweat Clark, soon followed his relatives to the little red clay town in south-southwest Oklahoma, located on the still fresh ruts of the Chisholm Trail. He owned a grocery story, sold coffee, and painted houses for a living.
      And coffee’s been on the burner and in my genes ever since.
      Granddad always drank coffee in the mornings, after he’d put on a white shirt and tie and lit his first Camel. Dad and Mom drank coffee for as long as I can ever remember. When I was a kid, the Jewel Tea man’s truck used to pull up in front of our house on the outskirts of Fort Worth, and they’d buy strong coffee with chicory from New Orleans. Later, when visitors like my Uncle Mike would come visit, they’d stay up all night talking, having eggs and bacon and coffee well after midnight.
      I started drinking it as a teenager. It developed into an addict during all-night college cram sessions and in working on newspapers at all hours of the day and night.
Now that I’m getting close to being old and weak, I’m trying to cut back—not quit mind you—just limit myself to less than three pots a day—no matter what time of day.
      But when I do get old and weak, you can be assured—as the folks in my office will tell you—my coffee won’t ever be old and weak. It’ll be strong, 24 hours a day. When I make coffee, I don't use little measures. I just pour it in till it looks right, and then add some more "for the pot."
     When I die, they wont have to embalm me—my veins will be full of caffeine.
      The folks in the All Nite Café in Comanche, Oklahoma, almost 100 years ago, would understand.

Ban the Status Quo!


"I hate a Roman named Status Quo!
Stuff your eyes with wonder, live your
life as if you'd drop dead in 10 seconds.
See the world. Its more fantastic than
any dream made or paid for in factories.
Ask for no guarantees, ask for no security,
there were never such an animal. And if it
were, it would be related to the great
sloth which hangs upside down in a tree
all day every day, sleeping its life away.
To hell with that, shake the tree and knock
the great sloth down on his ass." --Ray Bradbury

From a rooftop in Mali



From a rooftop in Mali, this is Terry Clark reporting….
I visited this West African country in March three years ago with professors and other journalists from Oklahoma State who received a U.S. State Department grant, titled “Nurturing the Fourth Estate.” It was designed to help develop the media in this stable, Muslim democracy. They needed an old newspaperman to go along, and I’m doubly qualified.
I think we did that, but I learned far more about journalism than I ever tried to teach.
Yes, I did sit on a rooftop and receive the gift of a lifetime from our guide and interpreter Mr. Assoumane Maiga (now a doctoral student at Oklahoma State University)—a communal meal on a pallet with live African music as the sun went down in the dusty sub-Saharan sky.
I made my first venture into broadcast journalism, using a video camera to record sights and sounds and people. I used a digital SLR and a point-and-shoot to capture some unbelievable images and memories. I kept a daily journal, by hand, that numbers almost 100 pages for 10 days.
I came back with renewed inspiration, actually proud to be a journalist in the real sense of the word--keeping a daily journal and discovering much about journalism and freedom and a special people, and telling the stories to others, with purpose.
And I learned that Mali’s media can teach American media many things that we’ve pretty much lost or forgotten.
For the record, Mali is immensely poor and dirty. Literacy is only about 30 percent. Lifespan averages 48 years. Eleven million people eke out a living in a country twice the size of Texas. Half the population is under 14, and intestinal diseases and malaria kill half the children.
But I saw happy people, I saw people wearing bright-colored clothes, I saw people who had nothing and yet had everything. I didn’t see malnutrition—many eat fresh vegetables and fruit every day, though many have only a porridge called Toh. I saw no lazy people—people who work harder than we imagine, and who still smile and laugh and play and love family—people who have hope. I saw imaginative people who create paintings, and sculpture and jewelry and carvings and fantastically colored dyed cloth. I saw people who like Americans, and people who remember living under a dictatorship 16 years ago, and who treasure freedom. 
I saw people where the term “no sweat” has probably never been heard—When we were there, the daytime temperature hovered around 100 degrees, and dust hung in the air. But the hot season hadn’t arrived. April and May will set in and the temp will rise to over 120. Rain won’t come until June when the cotton and other crops can be planted.
The people are suspicious of concentrated power, just like Americans were when we gained freedom from the British. They’ve decentralized and have set up a true federal system—like we used to have. Asked if they got together on national holidays to sing songs, march and so forth, they responded that they wouldn’t tolerate mandatory group activities. I wondered what they’d think of our “Pledge of Allegiance” in schools. The main native language, Bambara, means “I refuse submission.” The people are literally “jealous” of their freedom.
That’s only a portion of what I saw and experienced and tasted.
Now some notes from my journal on the media.
The main media in Mali is FM radio, because of the illiteracy. In their federal system they’ve split the country into more than 200 communes (don’t think Communist. It’s a French word—the official language in this former colony—for community). Each commune is allotted three radio stations, and most of them, with only about 40 or 50-kilometer ranges, devote most of the programming to educational material on health, disease, agriculture, women’s issues, etc. In all media, including newspapers, there’s almost no advertising. I though advertising was essential to a free press. Not so. Our adverting for the most part seeks brand recognition and tries to create “ need.” In Mali, there is need everywhere. Accordingly, most media are run on shoestrings, and pay is low.  Newspapers use the official French language, and circulations—because of the low literacy rate, are low. Largest is about 17,000 in the capital city of Bamako, population over one million.
But everywhere we visited, we found passion for journalism and its role, including the national TV station.
For instance, one newspaper is named for the date –March 26, 1991--of the overthrow of the dictatorship: 26MARS. It put out a special edition the week we were there, dedicated to keeping the freedom and the memory of dictatorship alive, commemorating those who died in the revolution 16 years ago. The country lowers the flag to half staff to remember the martyrs, and the people treasure their freedom. Journalists, especially with the radio stations and the newspapers, repeatedly referred to the revolution, and it fills them with a purpose to serve the people and maintain freedom.
Mali media have clear purpose. At one radio station, the passionate female owner said, “The Antenna is our weapon. We are the voice of the voiceless.”  Asked if they play music—and many do—one journalist told us, “When all Malians have enough to eat, then we’ll play music.”
In fact, the radios and newspapers remind me of what community newspapers were 100 years ago in this state and country—multiple voices, lower circulations, depending on subscribers and local support for existence. They’re also partisan in many cases, just like American and Oklahoman newspapers were when they chose names like The Waurika Democrat or the Cherokee Republican.
Their constitution guarantees freedom of opinion and expression, “with respect to law.” But there is a very strict libel law. We asked several journalists if they’d been harassed or put in jail, and the response was often, “Of course.” While uncommon, it happens and they view that as part of their job.
Ask them their purpose and they’ll say it is to help the people of the country and maintain their freedom. They speak of  “mobilization” of the electorate. Note in my journal after one such visit:
“The media have a passion and purpose for what journalism is supposed to be. In America, the purpose of most media seems to be to make money and satisfy stockholders. It’s not an accident that we refer to our media as “markets.” Theirs are “voices.”
Over and over again, we heard that the biggest need of journalism was more training. Interesting note: They linked more training for journalists to increasing journalism ethics. They also attributed declining newspaper circulation to a lack of ethics and people losing respect for journalism. One said that if we expected people to respect our ethics, we had to make sure they understood what we cover and why.
“America, are you listening?” I wrote.
I have guarded against trying to glamorize or romanticize this country  and people. There are so many problems there. But getting past those, these people, their rich cultures  and their media inspire with passion and example and hard work. This short report doesn’t even begin to address the issues and lessons, from a rooftop in Mali to a computer in Oklahoma.
Vive Mali!

Thursday, April 15, 2010

Disturbing pages of April



I picked up another book from Susan's pile near the bed. Hadn't seen it before, and while I usually avoid books about the Mideast and our current world turmoil, this one caught my eye.

The Reluctant Fundamentalist, is by Mohsin Hamid, a Pakistani who lives in London, but attended Princeton and Harvard, and has won numerous writing awards.

I've never read anything like this. It's a short novel, 182 pages, and gripping and unique in structure.

The entire book takes place in one afternoon and evening, as a Pakistani  is talking to an American visitor at a cafe in Lahore, Pakistan.

What sets this apart is that all you read are the Pakistani's side of the conversation, as he tells his stories and responds to the others' comments, to the coming of food, to the bats in the skies, to the coming darkness, to the politics of 911. The guide is a Princeton-educated professional, working in the US when 911 happened, trying to be an American. What you glean from this, as he tells his stories of work, love, family and his internal struggles is an understanding of the Muslim views that have embroiled us in another unending war.

Opening lines:  "Excuse me sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard; I am a lover of America."

The book is pretty straightforward until almost half way through,but after 911, the story unravels quickly, as does the narrator's life in America. It gets complicated, but moves quickly, and there are some interesting observations and insights.

On going back home to Pakistan: "...it occurred to me that the house had not changed in my absence. I had changed."

On history: "...and in history, as I suspect you--an American--will agree, it is the thrust of one's narrative that counts, not the accuracy of one's details."

On America: "I had always thought of America as a nation that looked forward; for the first time I was struck by its determination to look back. Living in New York was suddenly like living in a film about the Second World War...."

On changing: "...my blinders were coming off, and I was dazzled and rendered immobile by the sudden broadening of my arc of vision."
"...it is not always possible to restore one's boundaries after they have been blurred and made permeable by a relationship."

Reading an alumni magazine" ...I would squnt intently through such pinholes into the life I had left behind...."

And my favorite phase: "I responded to the gravity of an invisible moon at my core, and I undertook journeys I had not expected to take."

I won't tell you how it ends, other than it leaves you hanging, primarily with lots of intriguing thoughts and some disturbing emotions as an American. The book is a journey indeed.

Tuesday, April 13, 2010

Journalism Hall of Fame photos

Dr. Ray Tassin, founder of the Oklahoma Journalism Hall of Fame, prepares to cut the ribbon to the new exhibit hall Friday on the 40th anniversary of the hall of fame.  From left, Dr. Roz Miller, chair of UCO Mass Comm: Dean Pam Washington, UCO College of Liberal Arts; Bill Sherman, Tulsa World, inductee; Dennie Hall, former director of the Hall of Fame; me; Tassin; Mike Boettcher, CNN, OU  and inductee; Melba Lovelace, Oklahoman columnist, inductee :(behind her is Gean Atkinson, inductee); Jack Stone, Anadarko Daily News, inductee; Sean Dyer, El Reno Tribune, inductee; Andy Rieger, Norman Transcript, inductee; Ray Dyer, El Reno Tribune, inductee.--photos by Susan Clark


The new logo and sign for the hall of fame, on the third floor of the UCO Nigh University Center and a member looks over the citations in the hall of fame.
This year's inductees.


Clark's office.

Two of my favorite people. Sherry Sump, friend, right arm, and queen bee of the old Journalism Department who is retiring in June; and Laura Hoffert, journalism senior, going to work for the Stillwater NewsPress in a few weeks, who says, "I bleed ink." Both are mouthy.


Dennie Hall and my friend and hall of fame member M.J. VanDeventer chat.