Turning the pages of 2014

The second half of the year seemed slow in reading, compared to the first half when I consumed  11 books--almost reaching my goal of one a month for the year. Reading goes in spurts. Weeks go by without a book, and then when I'm hooked, it speeds up. 
The year ended with Unbroken, the WWII story of a remarkable American. Now a movie, the story from Laura Hillenbrand, the same writer of Seabiscuit, captured my imagination and emotions.
Before that were two books from Best of Books in Edmond, now owned by friends Joe and Nan Hight. Spirit of Steamboat, by Craig Johnson, whose books are the basis for the Longmire TV show, is a compelling Longmire tale different from his mysteries. Station Eleven by Emily St. John Mandel was an interesting novel of post-apocalyptic America.
I'd forgotten I'd bought three art books from English watercolourist (Hey, that's the way the English spell it)  Ray Campbell Smith that gave me insights and inspiration, Fresh Watercolour, Landscapes in Watercolour and Watercolour Work-Out recommended by English blog friend, social media guru  and artist Ian McKendrick of Cambridge, Watercolourjourney.
Another short, entrancing  novel illustrated with watercolors by Neil Gaiman, The Truth is a Cave in the Black Mountains  made me want to do the same.
Before that, already reviewed on this blog were River of Doubt, about TR, following the Roosevelt NPR program, Writing Blue Highways, by William Least Heat Moon, and Falling Upward, by Fr. Richard Rohr, which changed my life.
A stifling summer of sickness managed four books in July--One Hundred Years of Solitude, by famed Gabriel Garcia Marquez, which I got bored with and didn't finish; Spider Woman's Daughter, by Anne Hillerman, continuing the Tony Hillerman legacy; American Gods, my first read by Neil Gaiman; and Blackjacks and Blue Devils, by Jerry Wilson, printed by my friend Jeanetta Calhoun Mish's Mongrel Empire Press.

Six month total--14. The books of 2014--25.

Watercolor spring

"Prairie spring," 9 by 12 watercolor, 140 # d'Arches

Spring bush 3 " by 3"

Spring is watercolor time it seems to me...colors and fluid life. These are studies based on hints and compositions from Ray Campbell Smith, the Brit artist. The third book of his I've bought arrived today, by "Royal Mail" from UK. I'm indebted to Ian McKendrick @WatercolourJrny for introducing me to his work.

Spring foliage, 4" by 3"

Barn, again

Barn, again, 9 by 12, 140# d'Arches paper

This is based on a composition in Ray Campbell Smith's book, "Landscapes in Watercolour," but with an American barn instead of an English one, though I'm still experimenting with his choice of colors. It took several tries.

"Watercolour," Brit artists and social media

British influence in  "colour," trial watercolor, 8 by 6, 140 # d'Arches

Today's painting above has an international story with it, thanks to "social media." Notice I spelled "colour" the British way, for a reason.
Social media has made the world much smaller and more fruitful as I've met and contacted new people and old.
Thus it is that recently, someone in the UK favorited one of my paintings earlier this month on twitter, and we've begun following each other.
We have much in common. He's Ian McKendrick from Cambridge, U.K., and he's a watercolour artist and student, in addition to being a social media guru for business...fitting in with what I teach in journalism these days. His web site Ian McKendrick for his watercolours is really sophisticated. I'm envious and have been prodded to develop my own site, separate from this blog. 
I've noticed that his favoriting of my paintings added much to my blog traffic, and I've also favorited his paintings. 
He showed a painting, he calls them "projects," from another Brit painter's book, and so I ordered three of the books. One of them arrived today, and inspired this experimental painting.
What I gained most from the book "Landscapes in Watercolour" was new combinations of "colours." Oh, here's the link to this painters page, and his name is Ray Campbell Smith.
I do notice that much of his work has much more atmosphere and moisture in the air than we have here in Oklahoma, and certainly in my beloved West, where the landscapes are more dramatic. In addition, I've been experimenting more and more with brilliant color, but still I think anyone who is painting in watercolour is always a student, always learning. Thus this painting today.
And here too is Ian's web page as a Social media guru. His twitter handle is @watercolourJrny.
I hope to meet him in person when we travel to the UK this summer, but in the mean time, we'll certainly be sharing more and more. Now if this were really "British style," the comma would be outside those quote marks and in the following. I love the spelling of "watercolor," but though a direct descendant of King Edward Longshanks , the tyrant in "Braveheart," (ironically now married to a Campbell), I'm firmly an American (not a Yankee though) journalist, and periods and commas always go outside quote marks--over here in the "colonies."
Isn't it great the stories behind paintings? So much to learn.